Baroque style dominant in Europe from the early 17th century until the early 18th century. It was encouraged by the catholic church as a means to counter the simplicity and austerity of Protestant art and architecture. The Baroque style used contrast, movement, and exuberant detail, to overwhelm the senses. Typical motifs include baskets of fruit or flowers, figures, cartouches, and elaborate symmetrical scroll-work.

Neo-classicism emerged in Britain and France and was inspired by ancient Greece and Rome. Rebelling against the extravagance of the Rococo style, neoclassical design focused on harmony, proportion and symmetry. Key elements include swags & festoons, urns, classical figures, real & mythical creatures, laurel wreaths, and beading. This style lasted until the time of the Prince Regent (later George IV). Not only was he a patron of many silversmiths but also his interest in antique styles helped develop the designs of domestic silverware. John Schofield, Robert Hennell and Hester Bateman’s works during this time exemplify the period and their pieces are highly sought after.

The Arts and Crafts movement grew in the early 20th centuryas a backlash against the fussy, overwrought style of the Victorian era. It rejected the factory-produced symmetry and precision of furnishings and decorative accents and instead embraced natural beauty and traditional craftsmanship. The hand-hammered finish used by silversmiths is one of the main characteristics of this style.

Originated in Paris, Art Deco reflected the changes in the modern world: jazz, skyscrapers, radio and cubist art. It was a movement against the naturalistic feel of Art Nouveau emphasizing symmetrical and geometrical forms. Mirrors and black lacquered finishes were popular, as well as glass and highly polished metal. Key characteristics include structured floral motifs, stylized curves, zigzags and sleek geometry. Puiforcat and Georg Jensen (particularly designers Harald Nielsen and Sigvard Bernadotte) produced exemplary pieces in this style.